I haven't seen The Dark Knight, and I doubt I will. (I hardly go to the movies, and I'm more inclined to watch WALL-E.) But I decided to check out The New Yorker's review, which is one of the few negative ones according to Rotten Tomatoes. The following excerpt captures a lot of what I didn't like about Batman Begins, especially the way the fight scenes were cut:
"In the new Batman film, “The Dark Knight,” many things go boom. Cars explode, jails and hospitals are blown up, bombs are put in people’s mouths and sewn into their stomachs. There’s a chase scene in which cars pile up and climb over other cars, and a truck gets lassoed by Batman (his one neat trick) and tumbles through the air like a diver doing a back flip. Men crash through windows of glass-walled office buildings, and there are many fights that employ the devastating martial-arts system known as the Keysi Fighting Method. Christian Bale, who plays Bruce Wayne (and Batman), spent months training under the masters of the ferocious and delicate K.F.M. Unfortunately, I can’t tell you a thing about it, because the combat is photographed close up, in semidarkness, and cut at the speed of a fifteen-second commercial. Instead of enjoying the formalized beauty of a fighting discipline, we see a lot of flailing movement and bodies hitting the floor like grain sacks. All this ruckus is accompanied by pounding thuds on the soundtrack, with two veteran Hollywood composers (Hans Zimmer and James Newton Howard) providing additional bass-heavy stomps in every scene, even when nothing is going on. At times, the movie sounds like two excited mattresses making love in an echo chamber. In brief, Warner Bros. has continued to drain the poetry, fantasy, and comedy out of Tim Burton’s original conception for “Batman” (1989), completing the job of coarsening the material into hyperviolent summer action spectacle."
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